Terra Cotta Warriors

The Terra Cotta Warriors and Horses are the most significant archeological excavations of the 20th century. Work is ongoing at this site, which is around 1.5 kilometers east of Emperor Qin Shi Huang's Mausoleum, Lintong County, Shaanxi Province. It is a sight not to be missed by any visitor to China. Upon ascending the throne at the age of 13 (in 246 BC), Qin Shi Huang, later the first Emperor of all China, had begun to work for his mausoleum. It took 11 years to finish. It is speculated that many buried treasures and sacrificial objects had accompanied the emperor in his after life.A group of peasants uncovered some pottery while digging for a well nearby the royal tomb in 1974. It caught the attention of archeologists immediately. They came to Xian in droves to study and to extend the digs. They had established beyond doubt that these artifacts were associated with the Qin Dynasty (211-206 BC). The State Council authorized to build a museum on site in 1975. When completed, people from far and near came to visit. Xian and the Museum of Qin Terra Cotta Warriors and Horses have become landmarks on all travelers' itinerary.

Huaqing Hot Springs

Situated at the northern foot of Mt. Lishan in Lintong County, 30 kilometers (18.6 miles) from Xian City, Huaqing Hot Spring is famed for both its dainty spring scenery and the romantic love story of Emperor Xuanzong (685-762) and his concubine Yang Guifei in the Tang Dynasty (618-907). Its long history and location among the wonderful landscapes of Xian should entice any visitor to visit and bathe in this hot spring. It is said that King You built a palace here during the Western Zhou Dynasty (11th century BC-711 BC). Additions were subsequently made by the First Emperor Qing (259 BC-210BC) and Emperor Wu during the Western Han Dynasty (206 BC-24). During his reign, the Emperor Xuanzong spent dizzying amounts of his funds to build a luxurious palace, changing its name to Huaqing Hot Spring or Huaqing Palace. Over the course of 41 years in his days, he visited the palace as many as 36 times. The palace thus has a history of 3,000 years and the hotspring a history of 6,000 years! Ranked among the Hundred Famous Gardens in China, it also has the status as a National Cultural Relic Protection Unit and a National Key Scenic Area.

Mausoleum of the First Qin Emperor

Speaking of Qin's Terracotta Warriors and Horses, I dare say that most people definitely have heard about it or even have paid a visit. Its grandeur and mystery really overwhelm you. However, people could have neglected the yet unexcavated mausoleum of Emperor Qin Shi Huang due to all this. Actually, the Museum of Terracotta Warriors forms only part of the tomb. Greater things are yet to come. Qin Shi Huangdi (259 BC - 210 BC), the first emperor of China, ascended the throne at the age of 13, when construction of his tomb began. On completion of his many conquests, he ordered 720,000 conscript laborers to hurry up on building his royal tomb. It was finished just-in-time in 210 BC for his use. His son, the second Qin Emperor,saw to his entombment.

Big Wild Goose Pagoda

As the symbol of the old-line Xian, Big Wild Goose Pagoda is a well-preserved ancient building and a holy place for Buddhists. It is located in the southern suburb of Xian City, about 4 kilometers (2.49 miles) from the downtown of the city. Standing in the Da Ci'en Temple complex, it attracts numerous visitors for its fame in the Buddhist religion, its simple but appealing style of construction, and its new square in front of the temple. It is rated as a National Key Cultural Relic Preserve as well as an AAAA Tourist Attraction. This attraction can be divided into three parts: the Big Wild Goose Pagoda, the Da Ci'en Temple, and the North Square of Big Wild Goose Pagoda. Big Wild Goose Pagoda Originally built in 652 during the reign of Emperor Gaozong of the Tang Dynasty (618-907), it functioned to collect Buddhist materials that were taken from India by the hierarch Xuanzang. Xuanzang started off from Chang'an (the ancient Xian), along the Silk Road and through deserts, finally arriving in India, the cradle of Buddhism. Enduring 17 years and traversing 100 countries, he obtained Buddha figures, 657 kinds of sutras, and several Buddha relics. Having gotten the permission of Emperor Gaozong (628-683), Xuanzang, as the first abbot of Da Ci'en Temple, supervised the building of a pagoda inside it. With the support of royalty, he asked 50 hierarchs into the temple to translate Sanskrit in sutras into Chinese, totaling 1,335 volumes, which heralded a new era in the history of translation. Based on the journey to India, he also wrote a book entitled 'Pilgrimage to the West' in the Tang Dynasty, to which scholars attached great importance. First built to a height of 60 meters (197 feet) with five stories, it is now 64.5 meters (211.6 feet) high with an additional two stories. It was said that after that addition came the saying-'Saving a life exceeds building a seven-storied pagoda'. Externally it looks like a square cone, simple but grand and it is a masterpiece of Buddhist construction. Built of brick, its structure is very firm. Inside the pagoda, stairs twist up so that visitors can climb and overlook the panorama of Xian City from the arch-shaped doors on four sides of each storey. On the walls are engraved fine statues of Buddha by the renowned artist Yan Liben of the Tang Dynasty. Steles by noted calligraphers also grace the pagoda. As for the reason why it is called Big Wild Goose Pagoda, there is a legend. According to ancient stories of Buddhists, there were two branches, for one of which eating meat was not a taboo. One day, they couldn't find meat to buy. Upon seeing a group of big wild geese flying by, a monk said to himself: 'Today we have no meat. I hope the merciful Bodhisattva will give us some.' At that very moment, the leading wild goose broke its wings and fell to the ground. All the monks were startled and believed that Bodhisattva showed his spirit to order them to be more pious. They established a pagoda where the wild goose fell and stopped eating meat. Hence it got the name 'Big Wild Goose Pagoda'.

Xian City Wall

When Zhu Yuanzhang, the first Emperor of the Ming Dynasty (1368-1644), captured Huizhou, a hermit named Zhu Sheng admonished him that he should 'built high walls, store abundant food supplies and take time to be an Emperor,' so that he could fortify the city and unify the other states. After the establishment of the Ming dynasty, Zhu Yuanzhang followed his advice and began to enlarge the wall built initially during the old Tang dynasty (618 -907), creating the modern Xian City Wall. It's the most complete city wall that has survived in China, as well being one of the largest ancient military defensive systems in the world. After the extension, the wall now stands 12 meters (40 feet) tall, 12-14 meters (40-46 feet) wide at the top and 15-18 meters (50-60 feet) thick at the bottom. It covers 13.7 kilometers (8.5 miles) in length with a deep moat surrounding it. Every 120 meters, there is a rampart which extends out from the main wall. All together, there are 98 ramparts on the wall, which were built to defend against the enemy climbing up the wall. Each rampart has a sentry building, in which the soldiers could protect the entire wall without exposing themselves to the enemy. Besides, the distance between every two ramparts is just within the range of an arrow shot from either side, so that they could shoot the enemy, who wanted to attack the city, from the side. On the outer side of the city wall, there are 5948 crenellations, namely battlements. The soldiers can outlook and shoot at the enemy. On the inner side, parapets were built to protect the soldiers from falling off. Since the ancient weapons did not have the power to break through a wall and the only way for an enemy to enter the city was by attacking the gate of the city wall. This is why complicated gate structures were built within the wall. In Xian, the city wall includes four gates and they are respectively named as Changle (meaning eternal joy) in the east, Anding (harmony peace) in the west, Yongning (eternal peace) in the south and Anyuan (forever harmony) in the north. The south gate, Yongning, is the most beautifully decorated one. It is very near to the Bell Tower, center of the city. Important greeting ceremonies organized by the Provincial Government are usually held in the south gate square. Each city gate has three gate towers: Zhenglou, Jianlou and Zhalou. The most outside is Zhalou, which stands away from the City Wall and is opposite to Zhenglou. It was used to raise and lower the suspension bridge. Jianlou with small windows in the front and flanks was used as a defensive outpost. Zhenglou, in the inner, is the main entrance to the city. The wall connects Jianlou and Zhenglou Towers. The area between them within the wall was called 'Wong Cheng', in which the soldiers stationed. From Wong Cheng, there are sloped horse passages leading to the top of the city wall. Initially, the wall was built with layers of dirt, with the base layer including also lime and glutinous rice extract. Throughout the time Xian City Wall has been restored three times. In 1568, Zhang Zhi (the government officer of that period) was in charge to rebuild the wall with bricks. In 1781, another officer, Bi Yuan, refitted the city wall and the gate towers. More recently (since 1983) the Shaanxi Provincial Government restored the city wall again. A circular park has been built along the high wall and the deep moat. The thriving trees and flowers decorate the classical Chinese architecture of the wall, adding additional beauty to the city of Xian. A nice suggestion for tourists: Try biking on the City Wall, you will have an enjoyable and interesting experience.

Forest of Stone Steles Museum

Once the site of the Temple of Confucius during the Northern Song dynasty (960-1127), the Forest of Stone Steles Museum is situated on Sanxue Street, near the south gate of Xian City Wall. It was initially established in AD 1087 when some precious stone steles were moved here for safe keeping, including the 'Classic on Filial Piety' written by Emperor Xuanzong in AD 745 and 'the Kaicheng Stone Steles' carved in AD 837. With an area of 31,000 square meters, the Forest of Stone Steles used to be the principal museum for Shaanxi Province since 1944. Then because of the large number of stone steles, it was officially named as the Forest of Stone Steles Museum in 1992. With 900 years of history, this treasure house holds a large collection of the earliest stone steles of different periods, from the Han Dynasty to the Qing Dynasty. All together, there are 3,000 steles and the museum is divided into seven exhibitions halls, which mainly display the works of calligraphy, painting and historical records. All of these record some achievements in the development of the Chinese culture and reflect the historical facts of the cultural exchanges between China and other countries. Now, please come with me to the exhibition halls. Room One mainly displays 'the Kaicheng Stone Classics', which contains twelve lections caved on 114 steles. The lections include 'the Book of Changes', ' the Book of History' , 'the Book of Songs', 'the Analects of Confucius' and some others of this kind. These are the must-read books for the intellectuals of the feudal society. At that time the printing was under development. In order to well preserve these lections, the rulers ordered to engrave them on the stone steles.

Shaanxi History Museum

Shaanxi Province is the birthplace of the ancient Chinese civilization. Xian City was the capital city in thirteen dynasties which in total lasted over 1100 years. Consequently, the ancient history of Shaanxi is to some degree the ancient history of China. The Shaanxi History Museum considers it an obligation to be a showcase of ancient civilizations. It is situated in the southern suburb of Xian City, northwest of the Big Wild Goose Pagoda.Since it was opened to the public in 1991, its architectural buildings, internal apparatus, and exhibits have made it famous as a first-class museum in China. General Introduction The museum occupies an area of 65,000 square meters (16 acres). It is a grand complex of buildings imitating the architecture style of the Tang Dynasty (618-907). A primary pavilion stands in the center, and secondary pavilions of varying heights are distributed orderly around it. With black, white and grey as the predominant colors, the buildings have a solemn and rustic charm. The museum is furnished with central air-conditioning and multi-functional lighting system to ensure the protection of the culture relics. It is a comprehensive museum with more than 370,000 exhibits of different times and kinds. The two-storied primary pavilion is divided into the following three main exhibition halls: Basic Exhibition Hall The Basic Exhibition Hall is composed of the No 1 exhibition hall, the No 2 exhibition hall and the No 3 exhibition hall, marked by time order. The No 1 exhibition on the first floor hall displays the articles used during the period from 1.7 million years ago to 206 BC of the Qin Dynasty (221 BC-206 BC). This exhibition contains rough stone tools used by the ape man, the pottery, bronze sacrificial vessels, weapons and terracotta figures. By visiting the No 2 Exhibition Hall on the second floor, you will gain a general understanding of the historical process from 206 BC in the Han Dynasty (206 BC-220AD) to 589 AD in the Northern and Southern Dynasties (386-589). Papermaking, one of China's great inventions, and some important historical events are portrayed on the scroll painting. The No 3 Exhibition Hall on the second floor is dedicated to articles in the dynasties: the Sui (581- 618), the Tang (618-907), the Song (960-1279), the Yuan (1271-1368), the Ming (1368-1644) and the Qing (1644-1911). The model of the grand Chang'an City (Xian) during the Sui and the Tang, the shiny silver and gold utensils, pottery figures and the high-quality chinaware all await to be relished by the eyes.

Banpo Museum

The Banpo Museum is located in the eastern outskirt of Xian City, Shaanxi Province. As the first museum at the prehistoric site, it was built at the base of the excavations of the Banpo site. Since it opened to the public formally in 1958, two million people have visited it. The Banpo Site is a typical Neolithic matriarchal community of the Yangshao Culture dating back about 6,000 years. At that time, the Banpo people used tools made primarily of wood and stone. Women, the crucial labor force, were responsible for making pottery, spinning, and raising the family, while men fished. The approximately 4,500 square meters (about 1 acre) exhibit area of Banpo Museum is divided into two Exhibition Halls and a Site Hall. The first Exhibition Hall is about the unearthed relic exhibitions consisting of the First Hall and the Second Hall. The showpieces in this two halls are primarily production tools and domestic tools used by the primitive Banpo people, including axes, chisels, sickles, and stone and pottery knives from which we can have a general picture of the production activities of the Banpo people thousands of years ago. In addition, artwork and adornments here reflect the social life, culture, art and inventions of the period. The second Exhibition Hall is primarily used for auxiliary exhibitions and it contains two halls. Special shows are held here on ethnology, folklore and the history of art related to the prehistoric culture. The Site Hall is about 3,000 square meters (about 0.7 acre) and contains residential, pottery making and burial section. And among the three, the residential section is the main part of the site, including the huts, kilns and tombs of the primitive residents. All these present us an outlook of the aboriginal village and the hard situations of the forefathers in pursuing the civilization, reflecting the production level and the social systems at that period of time. The Banpo Matriarchal Clan Community Village is an extension of the museum based on archeological findings. The entire village enriches the cultural connotation of the museum and carries forward the long and splendid history of China at the same time.

Tang Dynasty Music and Dance Show

The Tang Dynasty Music and Dance Show, a wonderful performance of the ancient music and dance, is a must when you visit Xian. The city, which was formerly known as Chang'an has a very long history, and was the imperial capital during 13 dynastic periods. Of these, the Tang Dynasty (618 - 907) was the most prosperous and glorious of all. The Tang Dynasty Music and Dance Show is an outstanding exponent of this ancient stable and prosperous society, keeping alive its splendid culture and providing an insight into the peaceful life style of the period. As an art form, the show has its roots in folk fetes, when dances were first performed by people as part of rituals of prayer for a good harvest or a better life. Over thousands of years, the dances developed from a few simple postures or gestures to become delicate and artistic reaching a peak during the Tang Dynasty. Unlike some other regimes, the Tang was open to outside influences and was willing to take in the best of various art forms of not only the past dynasties but also the ethnic groups in the northwestern China as well as central and western Asia. Thus a wide range of unusual oriental musical instruments, many techniques such as painting, sculpting, pattern and costume design, cuisine and dining etiquette, singing and dancing was accepted by the Chinese, paving the way for the kind of entertainment that is now the Tang Dynasty Music and Dance Show. By combining poetry with the skilled playing of musical instruments, singing, dancing and also stunning costumes, the modern presentation is certain to give you an impressive view of ancient China including its splendid history, brilliant arts, distinct traditions and customs.

Drum Tower

The Drum Tower is located northwest of the Bell Tower, across the Bell Tower and Drum Tower Square. Both of them are called the 'sister buildings' or 'morning bell and dark drum'. In ancient China, especially from the Yuan Dynasty (1271-1368), the drums were used to signal the running of time and on occasion were used as an alarm in emergency situations. The Drum Tower in Xian was initially built in 1380 during the reign of Emperor Hongwu of the Ming Dynasty (1368-1644), and was renovated twice in 1699 and 1740 in the Qing Dynasty (1644-1911). It is a two-storied post and panel structure, 34 meters (about 112 feet) high and 52.6 meters (about 172 feet) long from east to west as well as 38 meters (about 124 feet) wide from north to south. The architecture style of the Drum Tower is a combination of the styles of the Tang Dynasty (618-907) and the Qing Dynasty. However, the Drum Tower also has some innovative features. For example, it should be mentioned that there is no iron nail used anywhere in the Drum Tower. Arriving at the Drum Tower you will see that there is an arched doorway in the centre of the south and north walls, doorway being 6 meters (about 20 feet) in both height and width. The north entrance leads to Beiyuan Men and south to Xi Dajie. Visitors can go upstairs to the second floor, and enjoy the views around the Drum Tower. Meanwhile, you will notice that there are twenty-four drums in the north and south sides of the Drum Tower. These drums stand for the Twenty-four Solar Terms which is a kind of weather calendar created by the Chinese ancients in order to guide the agricultural production. In modern times, the Drum Tower is not used as a timer any more, but there are some new attractions for visitors to enjoy. In the year of 1996, a new drum, covered by a whole piece of cowhide was given a place on the Drum Tower. It is the biggest drum in China at present. What is more, visitors will enjoy musical performances on the Drum Tower. These performances will enlighten one on the power of ancient Chinese culture. When you finish visiting the Drum Tower, you may round off your trip, by tasting a number of delicious snacks of Shaanxi in the Moslem Street (Huimin Jie) adjacent to the Drum Tower.

Tomb of Huo Qubing

Huo Qubing (140 BC-117 BC) was a very outstanding and brave general in the Western Han Dynasty (206 BC-24). He led his troops to repulse numerous incursions by the Huns and brought peace and prosperity to the society. In 117 BC, he died at the age of 23, which was a great loss to the whole society. Emperor Wudi (156 BC-87 BC) and the entire nation felt very sad for this war hero's death, so the Emperor gave orders to hold a ceremonial funeral for Huo Qubing and built a spacious tomb for him just beside the Emperor's own. This is the present Tomb of Huo Qubing. The Tomb of Huo Qubing lies 1,000 meters (about 1094 yards) northeast of Maoling Mausoleum , in Xingping City, Shaanxi Province. It is a cone-shaped soil and rock mound, adjacent to the Maoling Museum and is surrounded by a scenic environment. Altogether there are 16 stone carvings in front of the Tomb of Huo Qubing, including a galloping horse, a recumbent horse, a bull, a tiger, a wild boar, a toad, a stone fish, a sleeping elephant, a stone man, an ape and a bear. These large groups of carvings comprise an illustrious example of the art of stone caving in the Han Dynasty (206 BC-220). It is the best preserved carving heritage in China. 'Horse Treads on the Hun' is the main statue placed in front of the tomb with its length of 1.9 meters (about 6.2 feet) and its width of 1.68 meters (about 5.51 feet). In this carving, a stone horse is standing on the ground with perked head and long horsetail. Under its abdomen is a struggling Hun with bow and dagger in his hand. The whole carving is the most representational monumental work and holds an important place in the history of Chinese art. To this day there are still many beautiful legends about Huo Qubing spread among the people living in the Qilian Mountain. According to the people in Jiuquan City, Gansu Province, after Huo Qubing and his troops defeated the Huns here, the Emperor vouchsafed good wine to this general to reward him for his great achievement. Instead of enjoying the wine all by himself, Huo Qubing poured it into the spring pond and drank it with all his subjects. And from then on, the place was named as Jiuquan (the spring of wine). To the present day, joss sticks, candles and paper money have never ceased burning throughout the year in the temple at the Tomb of Huo Qubing. Some people are doing so with the hope that Huo Qubing would 'help to avert disasters and cure their diseases,' because 'qubing' in Chinese means 'curing disease.'